Monday, October 25, 2010

Michelle Keegan Frily Underwear

Scanner: smattering general.

One of the most tedious and frustrating the marriage of film and the internet is scanerizzazione images. There is no escape. Anyone who works analogue and want a minimum of visibility on the web we must pass. aside too expensive hardware solutions and professional services very affordable, the only real alternative is the flatbed scanner. We are talking about the various Epson V500, V700, V750 or the CanoScan 8800F, 9950F, etc ... to mention the most popular
These scanners offer for figures between 150 and 750 euro, a good compromise between quality and price.







Kodak Olympus 35RC TriX 400 @ 400
Kodak HC-110 Dil B (1:31) 6.5 min
Colour Scan of BW negative

I personally use a CanoScan 8800F

in combination with the software

of Hamrick VueScan. Scanner is not fully, but, knowing the scanning software and exploit the post in Photoshop Lightroom If you are a perfectionist, you can do the test without using the templates provided. On most of these scanners because the focus is fixed and the surface of the glass, and masks to keep the film a few millimeters to be doing it (sometimes), all slightly out of focus. If you are interested in this technique of searching the internet, there are interesting tips. Analog Photography - Italy .
or (if you work in DNG), you can do great things. Rainy days about using the scanner is not much to say except that it is important to keep it as clean as possible. A pass Swifter cloth before each scanning session does wonders.
rather more complex the discourse concerning the software.
My personal "bible" in this regard is very useful

discussion group on flickr




Olympus 35RC Kodak Portra 160 VC (expired) Print Scan






The basic concept is to get a scan as neutral as possible, disabling all the automatic software / hardware and thus leaving the user the ability to manage every aspect of the scan. The setting of each parameter to arrive at this result is fully described in the discussion above. Read it, and let bookmarkatela yours. Another fundamental aspect is the setting of the dpi according to
real capabilities of your scanner. To do this, their own tests to avoid complications, I suggest that instead of reading any review of your scanner on the internet since it is always a given set. For example my CanoScan 8800F can read up to about 1900 dpi and 4800 declared by the manufacturer (!).
The setting of multi-exposure and the number of passes are other important parameters, which I recommend personally to decide on its own test. Different images may require different settings. Finally I add some of my personal advice: Forget scanning 35mm color negatives. I have given up, the results are really poor. I prefer me to do the whole film and prints 10x12 scanerizzare ones. All images on color film you find in my Flickr stream have been scanned so. Some detectors for the BN should just agree with the scanner. It 's the case with the Rodinal. Negatives developed with this detector often generates digital images with a grain buckshot in that I find unpleasant. At the moment my favorite is under the scanner in the HC-110 dilution B. Tenetene account when you judge your scans.
scanned in color, black and white negatives. You know? It's a pond. From what I have seen the range of shades can be obtained in this way is much better. Council to make any post in this mode and convert to monochrome at the end. I often prefer to leave the scan with the dominant film, perhaps adjusting it a bit, to make it look a nice sepia.
Eye scanerizzazioni white balance in color.
If you decide to give it to scan negatives or color images will always remember that due to a dominant medium of film. The adjustment of white point is a required step. Do it.
For now I'll stop here. I have touched so many (too many?) Without entering into the arguments of anyone. So if you have any questions are welcome. probably return in the future on the subject. Crawling is a fundamental aspect in the production chain hybrid analog / digital and often many do not have to leaving the box on to the automation of software amateur. It 's a sin.


Thursday, October 21, 2010

Tamil Wedding Invitation Model In Pdf

better on 11 or better on 3




Recently, among various commitments, I'm trying to achieve two number plate to be mounted in place of the Honda X11 conveyor, so as to create a more Cafe-racer and address the fact that the former owner of the bike they have not been found, and is afraid to have them thrown away when he made clean! (New cost a bang!) Last week I dropped in the garage with two pieces of cardboard to create the template on which to shape the tables and find the corresponding points with the attacks of old conveyors original! Then I started in graphic design in an attempt to define the graphics of the tables. Initially I followed the plan I had designed the sketch done in ink with the number 11 "as the displacement" then the result does not fully satisfy me and my wife advised me to try the 3 that is visually nice but that has nothing to do with the bike, now I'm focusing on finding the material to carry them out, so I'm looking for the double Plexiglas or some fender painted to be shaped at will. but the doubt remains the best 11 or better on 3??

Renew Pittsburgh Driving Licence

When the vehicle makes the difference ... The film is poetry




Foreword, so obvious as needed: the equipment for the very best will never by itself a good photo.
    But a good lens can be used as they give unique results.
  1. It 's the case of this shot (below) that I particularly like. In itself nothing special, classical subject and frame not particularly original, but it is a good example to show how exceptional optics can add the "magic" to the picture.



  2. Zeiss Planar 50mm f/1.7


    The goal in question is a
Zeiss Planar T * 50mm f/1.7 f/1.4 ever produced.
Features I prefer to have this beautiful light color rendering, the delicate strokes of color and the wonderful Bokeh pasty.
features that are set off in the shot in question, where used at full aperture, it gives a focus to scream, warm and mellow, clear Zeiss trademark.

But the final result, it must be said, not only on the optics. Analog is always taking in account put into the film type in use. In this case we are talking about one of my favorite, the Kodak Portra 400NC

(where NC stands for natural color

). It 's a very special color negative, which gives photos a soft rendition from the impression and "crayon" combined with a low overall contrast. Another fundamental element, perhaps the most important in photography, is light. In this case the conditions were overcast and resulting in soft, diffused light. Well what to say yet ... good vision.
It 'a kind of film difficult to handle at the beginning and not suitable for all the shots but that once understood provides a palette of delicate shades which allows precise stylistic choices otherwise impossible (or almost). The sore point is that Kodak has decided that the current Portra (NC and VC) will come out of production soon and will be replaced by a new medium on the characteristics less "extreme". On the one hand, a little drama for lovers of NC but the other, a positive sign for fans of the film sign that research in this area is vital.
Perfect conditions to obtain the desired result.
Old Style





Yashica FX-D
Zeiss Planar T * 50mm f/1.7 Kodak Portra 400NC





Monday, October 18, 2010

How To Change Brake Lights Bulb In Buick Enclave



Hello to all. My name is Alberto and this is my first post.
Actually it could also be the only one.
I know are very fickle and very lazy. What
tell me, I was born in the fabulous year 70, so there are more youngster. But my visceral passion for photography goes back only two years ago. Needless to say, we are in 2008, my first camera was a glorious second-hand Nikon D70 which I still use and still is my only digital camera. But it is my first post and I would not bother with these old stories ... So I decided, monitors ebay and I won a few days Yashica FX-D 50mm f/1.9 with the beauty of 19 € ... yes, 19 €! . I still remember the fear in half so particular and the mysterious charm of the object, film and photography (the real one). Load the roll, the manual focus, the loading lever ... a new universe.
I would rather talk about my personal discovery of an alternative path, a path so steep as it is gratifying: analog photography. Old style Here's the story: was the fall of 2008 when, hanging out on ebay, I discover the existence of a boundless universe of film cameras for sale at low prices. Intrigued I started studying it. Studio makes and models and find, especially on Flickr, a more interesting universe of analog images. Magical images.

arrives and I get, not without difficulty, a roll of Kodak T-Max 400
Click, click, click for thirty-six times and then finally to develop the port.
finally going to the retreat. I look at them. And boh ... I do not know ... There and then I seem to fly off and do not know. The look and respect, choose one and hang on the wall dedicated to photos of the house, surrounded by a dozen other digital images.










Yashica FX-D Yashica ML 50mm f/1.9

Kodak T-Max 400

spend the day and every time I pass that wall I can not help but notice that photo. Li
for them do not understand why, but as the days pass more steals the show from the others.
It 's done. After a week I am madly in love. The silver-
photo I came inside.
The remaining pictures on the wall are at once silly, dull, cold and meaningless.

The magic is done.

Since then many things have changed. My "fleet" has expanded analog (Rolleicord, Nikon FE2, 39Q Contax, Olympus 35RC ... and many others ...) and above all my passion for photography chemistry has grown dramatically. Now development and mold me, and the expense, otherwise his slight, it is reduced almost to zero. The films I have learned to buy online and save a lot. And perhaps most important is that I came into contact with a photographic world that lives in the shadows but that is so vivid and, at least for me, is far more interesting and challenging photographic universe these days, everyone got to talk about megapixel sensor and away from all those poetic aspects of photographic art that emerge rather overbearing in microcosm of chemists and artisans of the film. Alberto. slideshow of my first film.
I know, I said little and nothing about the magic that is taken from pictures on the wall. But the love of analog photography anyone can, if you want, look for yourself. I am convinced that 99% of the people, distracted as they are, never not notice the difference between a digital photo and a similar, but after you shoot and print for themselves and for that 1% that has the sensitivity and the ' suitable attention to appreciate the poetry of a photograph. A true photograph, written in light. soon. (I hope)

PS If you're curious, this is the

Wednesday, October 6, 2010

Bionicle Building Instructions Porha

The 80's The Future! In spite of the VROD






In these drawings Igaraschi I noticed something familiar seems too much a TR1 a bit like that of the first photo! but still pretty good really! not found?
negi already short 80 years was the future!